
1/5 · 2026
Girl Group
TIFF Film 9 This is hands down, the worst film I've seen at any film festival and what's more so is that this was actually a gala presentation. So it got one of the biggest scre...
Published 24 September 2026

Found in Frames is my home for film criticism. In a world where it feels less valued than ever, I write about film here in every format I can — long reviews, video essays, and short-form work that still has something to say. You'll find all the random thoughts here.
Latest
The newest long-form reviews from the archive.

1/5 · 2026
TIFF Film 9 This is hands down, the worst film I've seen at any film festival and what's more so is that this was actually a gala presentation. So it got one of the biggest scre...
Published 24 September 2026

4/5 · 2026
TIFF Film 6 A Long Winter is perhaps the film that has sat with me the longest since the credits rolled, it's a film that is so meditative and distant that I very much understan...
Published 22 September 2026

4/5 · 2026
TIFF Film 8 Quite a few films at this festival have been dealing with the idea of inner lives, lives that are internal, not showcased to the world, sometimes rarely even explore...
Published 22 September 2026

4.5/5 · 2026
TIFF Film 5 Just an absolute knockout of a film. It's very hard to imagine somebody watching this and not completely falling in love. It is an absolute crowdpleaser with a huge...
Published 21 September 2026
Featured
A handful of reviews I keep coming back to from across the archive.
Selected essays

A rant-adjacent essay about fandom, online defensiveness, and why talking critically about film has become weirdly exhausting.

A video about adaptation, creative licence, and how far a new version can drift before it stops feeling like the original.

A look at legacy sequels, fashion satire, and what happens when a follow-up seems to miss the point of the thing people loved.

A dive into the Marvel discourse, franchise filmmaking, and the weird pressure blockbusters put on modern cinema.
Short-form
Short-form shouldn't mean shallow. On Instagram and TikTok I'm trying to make content that actually gives the viewer something — and that pushes me to deepen my own film knowledge and criticism along the way.