
2/5 · 2026
Digger
It’s been a little while since I saw Digger, and while I didn't love the film, I have thought about it quite a lot since. In a decade, will Digger be called a generational maste...
Published 11 November 2026

Found in Frames is my home for film criticism. In a world where it feels less valued than ever, I write about film here in every format I can — long reviews, video essays, and short-form work that still has something to say. You'll find all the random thoughts here.
Latest
The newest long-form reviews from the archive.

2/5 · 2026
It’s been a little while since I saw Digger, and while I didn't love the film, I have thought about it quite a lot since. In a decade, will Digger be called a generational maste...
Published 11 November 2026

4.5/5 · 2026
Laika Studio’s Wildwood is truly breathtaking and some of the most astounding filmmaking I’ve witnessed all year, all decade, all century. It is truly something else. Stop motio...
Published 10 November 2026

1.5/5 · 2026
What a massive disappointment. There’s been a rhetoric going around for a while now that writer Aaron Sorkin shouldn't work with director Aaron Sorkin but I don't think any dire...
Published 2 November 2026

4/5 · 2026
TIFF Film 13 You know what? I was really charmed by this film. You take an ensemble filled with some of the best comedic working actors at the moment. Shoot them in one of the m...
Published 7 October 2026
Featured
A handful of reviews I keep coming back to from across the archive.
Selected essays

A rant-adjacent essay about fandom, online defensiveness, and why talking critically about film has become weirdly exhausting.

A video about adaptation, creative licence, and how far a new version can drift before it stops feeling like the original.

A look at legacy sequels, fashion satire, and what happens when a follow-up seems to miss the point of the thing people loved.

A dive into the Marvel discourse, franchise filmmaking, and the weird pressure blockbusters put on modern cinema.
Short-form
Short-form shouldn't mean shallow. On Instagram and TikTok I'm trying to make content that actually gives the viewer something — and that pushes me to deepen my own film knowledge and criticism along the way.